Combined Social Reach of Confirmed Cast
An established film actor and beloved public figure in Mexico, Gisselle brings a devoted international audience and major crossover appeal to the project.
A widely recognized comedy and social media personality, Rich commands a highly engaged American audience that skews young and loyal.
Key Audiences Served: Young Latino & American viewers—the most eager moviegoing demographics in Latin America and the United States.
A Massively Underserved Audience That Loves a Good Spooky Story
Latinos represent 19% of the U.S. population, yet account for 24% of film ticket sales, 29% of daily mobile TV viewers, and 24% of streaming subscribers. Per capita, Latinos are the most avid filmgoers in the country—and among teens aged 10–24, going to the movies remains the #1 activity, outperforming concerts, gaming, streaming, and live sports.
Teens want authentic stories that mirror their own values—friendships, kindness, and community. Fantasy content surged 56% in teen preference year over year, with over 63% of adolescents gravitating toward friendship-centered narratives. This "nomance" wave is exactly where Crybaby Road thrives: an 80s-fantasy adventure rooted in puppetry, whimsical genre storytelling, and heart.
Come Build This With Us
Each $25,000 invested corresponds to a 1% ownership stake in the movie.
We’re bringing together a small circle of collaborators who believe in this story as much as we do. If you see the potential in Crybaby Road, we’d love to have you at the table.
Full budget breakdown available upon request.
How Your Investment Works
Your investment is repaid in full at the point of sale—before any profits are distributed to investors or other involved parties. After recoupment, you share in the film’s profits proportional to your ownership stake.
Illustrative example. Actual returns subject to terms in the offering memorandum.
Festival Premiere → Market Sale
Our plan is to premiere Crybaby Road at an elite, sales-driving festival—positioning the film for maximum buyer attention and competitive bidding.
For context: films that premiere at top-tier festivals are already well-positioned for acquisition. Eugene Hernandez, Director of the Sundance Film Festival, recently noted that approximately 70% of films at that level secure distribution deals—often at a floor of $1M+. If you believe in the film’s ability to reach that stage, the sales landscape is strongly in its favor.
From a conversation between Eugene Hernandez and Matt Belloni, published in The Town.
Equity Beyond Crybaby Road
Investors contributing $100,000 or more receive bonus equity participation on a future directorial project by Hector Serrano—at the tier outlined below.
Right of First Refusal — This benefit includes a rolling right of first refusal on each subsequent Hector Serrano–directed film. You’re not investing in one movie—you’re backing a creative partnership built to last.
For full terms, structure, and offering details, please contact the production team directly.